Although prerecorded sound libraries are readily available—some
are quite good—most audio designers, particularly for theatrical film and
television, prefer to produce their own effects because doing so allows
complete control in shaping a sound to meet a precise need. In addition, if the
effect is taken from the actual source, it has the advantage of being
authentic. Then too sound designers are sometimes called on to create effects
that do not already exist, and they prefer to build these from live sources.
Live sound
effects are collected in three ways: by creating them in a studio, by recording
them on the set during shooting, and by recording them directly from the actual
source, usually in the field, sometimes during production.
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